Be seen on the dark side of the moon

A guest logo sits on the moon's shadowed side the same way the word does - either as clean artwork or rebuilt out of moon footage so it looks like terrain. It is shot and checked at full size beforehand, so nobody discovers on stage that a wordmark is unreadable at forty feet.

The machine driving the fan opens its own microphone, so the geometry answers whatever the PA is actually doing. Bass swells the sphere, beats flare the orbiting pieces, loud passages shake the lettering. Nothing has to be routed through us and nothing needs timecode.

Any loop supplied as mp4 goes into the rotation beside the generated show, so the night can be your content, ours, or a cut of the two. The equalizer can be set for the kind of music before doors.

The programme is an hour of scheduled acts that loops for as long as the night does - a different effect each revolution, words, eclipses, orbits, geometry. The speed control stretches it, so half speed is a two-hour arc. It takes direction live if you want it, and needs nobody if you do not.

The same show drives projection - 402 x 226 cm is its native shape, two surfaces if you have them - and LED walls at 1920 x 1080 for a bar screen or 1872 x 1296 for a DJ screen. The poem screen above is what the second projector carries.